Pigeon Forge Celebrity Concerts and Shows at Country Tonite

The most eagerly-anticipated bluegrass debut in recent memory, Dailey & Vincent area a powerful ensemble steeped in bluegrass and country music traditions, but blessed with the drive, talent, and charisma to assert those timeless values proudly onto today’s stage. Even before one note of their stunning debut record had been heard, Jamie Dailey and Darrin Vincent earned a standing ovation at the 2007 International Bluegrass Music Association convention and were booked for more than 100 shows. Now that the album is here, the advance accolades are completely understandable. This is music that can stand side by side with any of the most revered bluegrass discs ever made.

Co-leaders Jamie Dailey and Darrin Vincent have already had a profound impact on much of the best modern bluegrass via their contributions to such estimable performers as Doyle Lawson & Quicksilver, Ricky Skaggs & Kentucky Thunder, and Rhonda Vincent & The Rage. The decision to join forces was not taken lightly, as they both held comfortable positions within premier bluegrass bands – Dailey as lead and tenor singer for nine years with Lawson, Vincent as harmony vocalist and multi-instrumentalist with Skaggs. “But when I first heard Jamie sing,” Darrin Vincent recalls, “it absolutely brought me out of my seat. I said, ‘That is somebody I need to know.’”

In 2003, the two began talking seriously about becoming a team. “When we got the response we did off of ‘Beautiful Star,’ it was overwhelming,” recalls Jamie. “It just blew my mind. That’s what brought forward the idea that we needed to do our own thing.”

“Their own thing” positively bursts from the speakers from the first notes of their self-titled Rounder debut, Dailey & Vincent, released in January of 2008. The working-man’s laments “Sweet Carrie” and “Poor Boy Workin’ Blues” are vintage-sounding, rapid-fire bluegrass romps. Jamie’s tenor lead vocals on “I Believe” and “Take Me Back and Leave Me There” are high, lonesome bluegrass singing at its purest. Darrin’s upbeat lead vocals on “Don’t You Call My Name,” “Cumberland River,” and “Music of the Mountains” sound steeped in tradition.

The harmonies in “River of Time” and “Place on Calvary” will send shivers up the spine of anyone who loves the classic overtones that only great bluegrass voices can produce. “More than a Name on a Wall” sounds vintage because it is – the song was a 1989 country hit for The Statler Brothers. And as if to remind us that we are in the presence of classic talents, “My Savior Walks with Me Today” and the extraordinary performance of Gillian Welch and David Rawling’s “By the Mark” are performed in traditional, mandolin-guitar, brother-duet fashion. Jamie Dailey and Darrin Vincent have given their lives to bluegrass, to both the traditions and the possibilities that it offers, and now they’ve made the album of their lives. Is it possible to be both classic and brand new? Meet Dailey & Vincent.

Over the last two decades, Evans has carved a successful career anchored by her insightful songwriting and warm, evocative voice. With such enduring hits as “Suds in the Bucket,” “A Real Fine Place to Start,” “Perfect” and “A Little Bit Stronger,” she’s earned recognition as the fifth most played female artist at country radio and continues to be a force on the road with tour dates criss-crossing the country. For her ninth studio album, the Missouri native serves up an eclectic bounty of songs that have shaped her life and storied career.

“I’ve always put cover songs on my records just because I think they are so fun. My fans have been asking for a covers record for years and now just seemed like the right time,” says Evans, who has always been a champion for great songwriting and has covered Gavin DeGraw, Radney Foster and others on previous records. “We first started out thinking we’d really change some of the songs, but then every time we started to record it we were like, ‘That part is so good, let’s just do that!’ We wanted to honor those songwriters and musicians and say, ‘What you did on this record was amazing. Now we’re just going to make it a little more modern.’” These days, Evans is enjoying the creative process more than ever and it’s easy to hear her passion in listening to Copy That. “I’m just having fun. I love being on the road,” says Evans. “We’re working a ton. I’m having so much fun and am just deeply in love with music and performing.”

Montgomery Gentry’s Eddie Montgomery is having a good time – and it shows.

As one of the most recognizable voices in a generation of country singers, Montgomery continues to tour coast-to-coast behind a time-tested collection of rowdy and heartfelt songs. That collection grows with the new release – Home Run, a six-song EP that includes hard-workin’ stories, fatherly wisdom, brotherly appreciation and a boot-stomping reworking of Montgomery Gentry’s first single “Hillbilly Shoes.”

With five No. 1 country radio hits, a Grand Ole Opry membership and a Kentucky Music Hall of Fame induction under his belt as part of Montgomery Gentry, the man in the hat shows no signs of slowing down. After all, why would anyone walk away from a dream-come-true?

“I’m livin’ life,” Montgomery said. “I’m so happy that I gotta sit on my hands to keep ‘em from wavin’ at everybody.”

Home Run debuted Nov. 1 via Average Joes Entertainment. Ahead of the release, Montgomery unleashed a 25th anniversary edition of “Hillbilly Shoes,” a signature country-rocker originally released as Montgomery Gentry’s first single and the opening track of the duo’s debut album Tattoos & Scars.

The song comes as part of a promise Montgomery and his partner Troy Gentry once made to each other – if one of them ever passed away, the other would carry on the Montgomery Gentry legacy. Sadly, Gentry died in a 2017 helicopter crash.

“I’m keepin’ it going, I’m keepin’ my promise,” Montgomery said. “A day don’t go by I don’t talk about him. A day don’t go by I don’t miss him.”

“I just like real country music,” Montgomery said. “I can’t sing a song I don’t really know about. It’s very, very hard. [A good song], it makes you pour your soul out. It’ll make you feel better. It’ll get you through whatever you’re going through.”

Home Run opens with the working class anthem “Cost Of Being Me,” which features Bryan, a labelmate that Montgomery described as being “cut from the same cloth.” In the down-to-earth chorus, Montgomery sings, “I drink my whiskey from the well/ My souls for loan but ain’t for sale/ I’ve had my daddy pay my bail/ That kind of hell just don’t come cheap/ If I had half of what I lost/ I’d be just a little bit better off/ I’ve paid a lot for being free … Yeah, that’s the cost of being me.” The EP continues with the title track, a song about knowing how to find home when it matters most. Gorley, a fellow native of Danville, Kentucky, co-wrote the song.

And Home Run includes an acoustic rendition of “My Son,” a 2021 song Montgomery co-wrote for the feature film Old Henry. A reflective number that carries the weight of fatherhood, Montgomery sings, “My son, please don’t make mistakes I’ve made/ No don’t chase the things I’ve chased/ Don’t waste your life on the run/ My son, go ahead and spread your wings/ But while you’re reaching for your dreams/ There’s one thing you can’t outrun/ You’ll always be my son.”

Montgomery will take the new songs on the road and he doesn’t plan to slow down any time soon. Why? He’s having too much fun, of course. Or, in his words: “I want to play until the good man upstairs goes, ‘Well, I need ya now”

As the daughter of Country Music Royalty, Pam Tillis was determined from a young age to find her own way in music as a singer and songwriter. After many false starts with her own recording career, including a pop single on Elektra and 1984’s “Above And Beyond The Doll Of Cutey” for Warner Brothers, Tillis came to the attention of Tim Dubois who headed up the Nashville office of Arista records. After much soul searching, Tillis made the commitment to make an honest country record. The album “Put Yourself In My Place” yielded 2 number ones, 2 top five singles, and one top twenty hits and in its first year the album was certified gold. Tillis followed with 3 platinum albums on Arista “Homeward Looking Angel” in 1992, “Sweethearts Dance” in 1994 and an Arista “Greatest Hits” in 1997. Tillis achieved 6 number 1 songs during this time including “Shake the Sugar Tree”, “Mi Vida Loca”, “When You Walk In The Room”, “In Between Dances” “Don’t Tell Me What To Do” and “Maybe It Was Memphis” while 14 of Pam’s other singles landed in the top ten and top twenty.

Pam Tillis fell in love with music at an early age. Band, chorus, talent shows, church and the creative community of Nashville all helped to shape the young singer. Growing up, Pam was in a variety of bands, spanning from jazz and alternative country to top 40. She sang demos and lent her voice to many national jingles including Coke, Country Time Lemonade and a Coors Silver Bullet with country superstar, Alan Jackson. At the same time, Tillis worked as a staff writer for Elektra Asylum Publishing and later took a job writing for Warner Brothers Publishing, which resulted in her songs being recorded by some of the biggest names throughout all genres of music, including artists like Chaka Khan, Juice Newton, Dan Seals, Gloria Gaynor, Conway Twitty and the top ten “Someone Else’s Trouble Now “for Highway 101.

Pam has performed on the stages of Broadway in New York, modeled on the pages of Glamour Magazine and is a proud member of The Grand Ole Opry. Some of Pam’s most memorable award moments are being a 3-time CMA award winner including the prestigious 1994’s Female Vocalist Of The Year Award, and being nominated multiple times for Grammy’s Best Female Country Vocal Performance in 1993 for “Maybe It Was Memphis, in 1996 for “Mi Vida Loca” and in 1998 for “All The Good Ones Are Gone”. Pam is also proud to be a 9-time Academy of Country Music Award nominee, a 2-time Grammy award winner and 6-time Grammy nominee, and an American Music Award’s nominee. Most recently, Pam has celebrated an IBMA award win in 2004 for Recorded Event Of The Year “Livin’ Lovin’ Losin’” and most recently a 2012 IBMA Song Of The Year nomination for co-writing, Dale Ann Bradley’s “Somewhere South Of Crazy”.

Though Pam has rolled easily with the tides and has drawn something from every new twist the ever-changing country music world has shown her, Pam Tillis has always insisted on writing and cutting songs that speak from the soul. The results have been records that emanate an almost painful beauty. With more than 30 singles charting on US Billboard charts, 10 studio albums including her favorite, the critically acclaimed 2002 “It’s All Relative” (a tribute to her father, the great Mel Tillis), and 3 other releases “Rhinestoned”, “Recollection” and “Just In Time For Christmas” off her own label, Stellar Cat Records. In 2012 Red River Entertainment released ‘Dos Divas’ a Country Duo album with fellow superstar Lorrie Morgan under the name Grits and Glamour.

Whether it’s on the elaborate stages of the Grand Ole Opry or in the intimate setting of Nashville’s Bluebird Cafe, you will experience that feeling of delight that comes from Pam Tillis singing exactly what she is meant to sing at that moment.

Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards, and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. Their hits include “Elvira,” “Dream On,” “(I’m Settin’) Fancy-Free,” “Bobbie Sue,” “American Made,” and “Thank God for Kids.”